Cy Twombly, Fagus Silvatica, from Natural History Part II: Some Trees of Italy, 1976

Fagus Silvatica, from Natural History Part II: Some Trees of Italy, 1976 is a mixed media print on Fabriano paper from Cy Twombly's celebrated portfolio of botanical studies. This striking work exemplifies Twombly's distinctive approach to mark-making, featuring the Sweet Chestnut rendered through his characteristic expressive drips, frenetic scribbles, and gestural, calligraphic linework.

The print is from "Natural History Part II: Some Trees of Italy," published in an edition of 98. This portfolio represents Twombly's exploration of the beauty and fragility of nature, and the interconnectedness of all living things. The series combines scientific observation with poetic expression, reflecting Twombly's deep engagement with both classical culture and natural forms.

In this work, Twombly employs a combination of lithography, collotype, and collage techniques to create layered compositions that evoke the sensory experience of being surrounded by lush foliage. The use of semi-transparent tracing paper adds depth and dimension to the composition, allowing glimpses of underlying layers to shine through, much like sunlight filtering through the leaves of a dense forest.

Cataloguing Details 

Lithograph, granolithograph, and collotype on Fabriano paper, from "Natural History Part II: Some Trees of Italy" (1976), a portfolio of eight lithographs published in an edition of 98. Signed by the artist. 29 7/8 x 22 1/8 in. (75.9 x 56.2 cm)

About the Artist

Cy Twombly (1928-2011) is recognized as one of the most significant artists of the post-war period, known for his large-scale, calligraphic-style graffiti paintings. His work draws on a wide array of influences, including the bold brushwork of Willem de Kooning and Franz Kline, Dada cut-ups, and scientific illustration. Twombly's unique visual language bridges abstraction and representation, creating works that are both intellectually engaging and visually compelling.

All works are accompanied by a gallery-issued Certificate of Authenticity and undergo a multi-step authentication review prior to placement.

Our team brings over 15 years of secondary market experience, with particular expertise in works on paper. Evaluation considers editioning, paper, ink, signatures, and condition.

Provenance research is conducted for every work. All pieces offered are either owned by Mimesis or consigned by carefully vetted collectors.

Works priced above $2,500 are available for purchase via direct invoice through a Mimesis advisor. All transactions are handled securely and discreetly.

We accept wire transfer, ACH invoice, and approved card payments. Payment instructions and terms are confirmed upon availability.

All works ship from our Los Angeles studio and are fully insured. Delivery is handled by trusted fine art logistics partners experienced with museum and private collections. Domestic and international shipping, custom framing, and white-glove delivery can be arranged based on location and medium.

Preparation and dispatch typically require 7–10 business days.

Our team remains the point of contact from inquiry through delivery.

We offer archival framing for works acquired from our archive. All framing is museum-grade and designed to conservation standards, including:

• 99% UV-protective plexiglass
• Fully reversible archival mounting
• Acid-free backing and matting
• A range of hardwood and metal mouldings

To receive a custom framing quote or discuss presentation options, please contact an advisor directly.